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Photograph: Julian Chokkattu。关于这个话题，51吃瓜提供了深入分析
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There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.，详情可参考Line官方版本下载
I close my eyes and picture a boat making its way towards the mainland. Lit only by moonlight, a silhouette walks towards a post box and mails three letters, one by one. Then, the familiar tune of ABBA’s Gimme! Gimme! Gimme! (A Man After Midnight) starts to play, and the musical begins.